Sunday, July 21, 2024

MCQ on Amarnath by Sister Nivedita. XI New Syllabus. 1st Semester.

MCQ on Amarnath by Sister Nivedita

XI New Syllabus

1st Semester


1. This text belongs to = The Master As I Saw Him.

2. This text has been written by = Sister Nivedita.

3. The real name of Nivedita is = Margaret Elizabeth Noble.

4. Nivedita’s nationality was = Irish.

5. Nivedita first met Vivekananda in = 1895 in London.

6. Nivedita came in Kolkata in = 1898.

7. The name Nivedita was given by = Vivekananda.

8. Nivedita means = Dedicated to God.

9. Vivekananda was born on = 12/01/1963.

10. Real name of Vivekananda was = Narendranath Dutta.

11. Which day is celebrated on Vivekananda’s birthday? = National Youth Day (12th Jan).

12. Vivekananda’s father was = Vishwanath Dutta.

13. His mother was = Bhuvaneshwari Devi.

14. Vivekananda delivered his speech in Chicago on = 11/09/1893.

15. Vivekananda died on = 04/07/1902.

16. This text is a = Spiritual Travelogue.

17. This text was published in = 1910.

18. Where did Swami Vivekananda announce his intention to go to Amarnath? = At the Mogul Gardens in Achhabal.

19. Where is Mogul Garden situated? = in Achhabal.

20. Where is Achhabal? = It is a town in Anantanag District in J & K.

21. Swami would go to Amarnath with  = Pilgrims.

22. Whom did Swami consider his daughter? = Sister Nivedita.

23. The feeling of party when Swami declared to go to Amarnath was  = Delighted congratulation.

24. Who was the state officer in charge of journey? = Tehsildar.

25. At that time, Kashmir was full of  = Pilgrims.

26. Where did the party return for final arrangements for the pilgrimage? = to boats at Islamabad.

27. How many people would encamp in the field? = two or three thousand people.

28. They all left the place before  = dawn.

29. What was notable about the camps of the pilgrims? = They left no trace of their occupation.

30. The pilgrims left only ____________ where the placed their camp. = ashes of cooking fire.

31. What did the pilgrims carry with them? = A bazaar.

32. At each halting place, they pitched tents with  = incredible rapidity.

33. Their ability to set up tents was  = instinctive.

34. From the tent bazaar, one could buy  = dried fruits, milk, dahls and rice.

35. Where were the tents of the Tehsildar and Swami Vivekananda generally placed? = Near a spot advantageous for lighting an evening fire.

36. The tents around the tent of Swami all together form a  = social centre.

37. What kind of tents did the monks have? = Gerrua tents, some no larger than a good-sized umbrella.

38. Swamiji’s influence appeared to the pilgrims to be = Magnetic.

39. Who gathered around Swami at every halting place? = The more learned men.

40. The pilgrims absorbed in conversation with Swami through out = the hours of day light.

41. Swami insisted everyone on drawing their attention to = world (Earthly Pleasure).

42. Many of the pilgrims could not understand Swami’s warmth love for  = Muslim / Mohammedan.

43. What topic dominated the conversations Swami Vivekananda had with the monks? = Siva.

44. What did Swami Vivekananda and the monks discuss during the pilgrimage? = Siva and spiritual matters.

45. What element of the pilgrimage did Swami Vivekananda emphasize to the monks? = Practicality and engagement with the world.

46. How did the Tehsildar and other officers view their involvement in the pilgrimage? = They felt included and even participated in the rituals.

47. Apparently, Hindu and Muslims were  = Rival elements.

48. The soil of Punjaub was drenched with  = blood who died for faith.

49. The religion of Tehsildar was = Muslim.

50. What did the Tehsildar and his group request from Swami Vivekananda? =  Formal acceptance as disciples.

51. When Tehsildar and his friends being Muslim, accepted Swami was disciples, no one seemed to find = anything incongruous or surprising.

52. How did the Tehsildar and other officers participate in the pilgrimage? = They actively engaged and even entered the Cave with Hindu worshippers. 

53. What was the reaction of the other pilgrims to the involvement of Mussulman officers in the pilgrimage? = They accepted it without surprise.

54. Leaving Islamabad, they met the pilgrimage and camped with it at  = Pawan.

55. Pawan was famous for = holy springs.

56. The water in the tank in Pawan was  = black in colour.

57. What reflected in the water of Tank in Pawan in the evening? = Brilliance of lights.

58. Pehlgam is known as  = village of the shepherds.

59. They camped in Pehlgam for a day to  = keep ekadasi.

60. The bed of the mountain stream was  = pebble-worn/ full of pebble.

61. What was the physical setting of the village of Pahlgam? =  A beautiful little ravine with sandy islands and dark pine trees.

62. The mountain slopes at Pehlgam were covered with = dark pine trees.

63. At Pehlgam, one could see at the head of mountain during sunset = the moon, not full in size.

64. The scenery of Pehlgam seemed like the scenery of = Switzerland or Norway at their gentlest and loveliest.

65. The beauty of Pehlgam was =  indescribable.

66. How did the pilgrims cross the frozen river? = By walking over the ice.

67. At Pehlgam, they could see the last sign of human dwelling like  = a bridge, farm house, ploughed fields, a few seater-huts.

68. What did the pilgrims use as fuel for the great campfire when they passed the snow-line? = Juniper.

69. After the great campfire, servants had to wander many miles to  = search for scanty fuel.

70. When the regular pathway came to an end, they had to walk or scramble up and down on the  = goat-path.

71. Near the Amarnath Cave, the snow covered peak of mountain was covered with  = newly-fallen white snow.

72. ‘White-veil’ means  = snow-covered.

73. When the peasants saw ice-lingam in Amarnath Cave, they believed that  = as if the God himself was waiting for them.

74. What natural feature did the pilgrims encounter at the end of the regular pathway? = Steep declivities with goat-paths.

75. What did the purity and whiteness of the ice-lingam symbolize for Swami Vivekananda? = The divine presence of Siva.

76. What did the fluttering of pigeons inside the Cave of Amarnath represent? = Serenity (নির্মলতা)  and spirituality.

77. What did the Swami think about the simplicity of Amarnath compared to other religious sites? = He appreciated its simplicity and closeness to nature.

78. Before entering the Amarnath cave, Swamiji observed the rituals like =  telling the beads, keeping fasting and bathing in ice-cold water in five streams.

79. How did Swami Vivekananda react upon entering the Cave of Amarnath? = He silently knelt and prostrated and withdrew.

80. What did Swami Vivekananda see in the Cave of Amarnath that profoundly affected him? = The great ice-lingam.

81. Why did Swamiji not stay in the cave for long time? = he was afraid lest emotion might overcome him.

82. What did Swami Vivekananda claim to have received from Siva? = The gift of Amar (immortality). 

83. From the very childhood, Swamiji had a wish to  = to die in a Siva temple amongst the mountains.

84. Outside the cave, there was no exploitation of  = Brahmin/ Panda.

85. What festival culminates (ends) the pilgrimage to Amarnath? = Rakhibandhan.

86. During Rakhibandhan, everyone’s wrist was tied with  = red and yellow threads.

87. Red and Yellow threads were token of  = sacrament.

88. What was the significance of tying the Rakhibandhan thread for the pilgrims? = It symbolized a spiritual sacrament.

89. Before returning, they rested and had meal sitting on  = some high boulders beside the stream.

90. According to Swami’s imagination, first Amarnath cave was discovered by  = a party of shepherds.

91. The cavern/ big cave of Amarnath revealed the secret of  = Kailas.

92. Swami would cherish the memory of Amarnath Cave  = for the rest of his life.

93. What was the significance of the ice-lingam in the Cave of Amarnath? = It represented the presence of a deity (God).

94. How did the Swami describe the Cave of Amarnath to the pilgrims? = As a revelation of Siva’s presence.

95. What was Sister Nivedita’s role during the pilgrimage? = She documented the journey and provided insights.

96. How did the Swami manage the cultural and religious diversity of the pilgrims? = By promoting inclusiveness and unity.

97. What did the Swami say to the monks about the distinction between Swadesh and bidesh? = He encouraged breaking down such distinctions.

98. What did the Swami feel when he first saw the ice-lingam? = Awe (বিস্ময়) and reverence (শ্রদ্ধা).

99. How did the Swami view the relationship between spirituality and nature? =  He felt a deep connection between the two.


Thursday, June 20, 2024

MCQ ON “THE BANGLE SELLERS” BY SAROJINI NAIDU. CLASS XI. 1ST SEMESTER.

MCQ ON “THE BANGLE SELLERS” BY SAROJINI NAIDU


1. The writer of this poem is:

a. Raja Rao

b. Nayantara Sehgal

c. Sarojini Naidu

d. Kamala Das

 

2. Sarojini Naidu was born in:

a. Kolkata

b. Hyderabad.

c. Delhi

d. Mumbai

 

3. Sarojini Naidu was born:

a. 15/05/1879

b. 13/02/1880

c. 13/02/1879.

d. 13/03/1879

4. Sarojini Naidu is known as:

a. Parrot of India

b. Nightingale of India

c. Goddess of Verse

d. Saraswati of India.

 

5. This poem was published in?

a. The Bird of Time

b. The Passage of Time

c. Best of Naidu

d. Collection of Nightingale

 

6. This poem was published in:

a. 1910

b. 1911

c. 1912.

d. 1915

7. Who are the speakers/ narrators in this poem?:

a. Poetess herself

b. Young girls

c. House wives

d. Bangle Sellers

 

8. The bangle sellers are going to:

a. Village market

b. Temple fair

c. Village fair

d. Home

 

9. The bangle sellers selects Temple fair to sell bangles because:

a. Most of the visitors are women/ girls

b. Rich men visit temple

c. Temple does not charge from them

d. None of above

10. The bangle sellers are bearing:

a. Shining loads of bangle

b. Ice-cream

c. Old clothes

d. Basket full of toys

 

11. “Bangle sellers are we who bear/ our shining loads”—'Shining loads’ refer to load of:                          a. Glass Utensils

b. Dress

c. Toys

d. Bangles

 

12. The bangle sellers are calling their customer in:

a. Harsh tone

b. Joyful tone

c. Inviting tone

d. Both b & c.

13. The bangles were:

a. Delicate

b. Heavy

c. Hard

d. Dark

 

14. ‘Circle of light’ means:

a. Rainbow

b. Bangle

c. Sun

d. Moon

 

15. ‘Rainbow-tinted’ means:

a. Rainbow in the sky

b. Rainbow coloured

c. Name of bangles

d. Happy girls

16. “Lustrous tokens” refers to:

a. Food tokens

b. Dress

c. Toys

d. Bangles

 

17. ‘Lustrous’ means:

a. Bright

b. Dark

c. Green

d. Happy

 

18. Bangles are token of:

a. Dull lives

b. Radiant lives

c. Maiden’s life

d. Marriage life

19. Bangles are token of radiant lives for:

a. Happy daughters

b. Happy wives

c. Happy bangle sellers

d. Both happy daughters and happy wives.

 

20. “Lustrous tokens of radiant lives”—The word ‘radiant’ means:

a. Dull

b. Happy

c. Lively/ bright.

d. Reddish

 

21. Delicate, bright bangles are suitable for:

a. Happy daughters

b. Happy wives

c. Happy bangle sellers

d. Both happy daughters and happy wives.

22. Silver and blue bangles are suitable for:

a. Middle-aged woman

b. Happy wives

c. Maiden.

d. Bride

 

23. Silver and blue bangles are compared to:

a. Flowers

b. Leaves

c. River

d. Mountain mists

 

24. The buds beside the woodland stream are:

a. Red/ flushed.

b. Yellow

c. White

d. Bright

25. The word ‘flushed’ means:

a. Crimson/ Red

b. Yellow

c. Purple

d. Green

 

26. The buds dream beside the-

a. Spring

b. Woodland Stream

c. Pond

d. Lake

 

27. “….buds  that dream”—The figure of speech used here-

a. Metaphor

b. Personification

c. Simile

d. Alliteration

28. Here the ‘buds’ signifies the:

a. Maiden Girl

b. House wife

c. Matron

d. Old woman

 

29. Flushed/ red coloured bangles are compared to:

a. Buds that bloom beside the woodland river.

b. Fish that swims in river

c. Leaves that sprout in jungle

d. Blood

 

30. Bangles flushed like buds are suitable for:

a. House wife

b. Maiden Girl.

c. Matron

d. Old woman

31. ‘Limpid glory’ means:

a. Pure beauty.

b. Reddish beauty

c. Sleepy flowers

d. Buds

 

32. The bank of woodland stream was:

a. Noisy

b. Crowded

c. Full of light

d. Tranquil / calm.

 

33. The buds dreams to be:

a. Plucked

b. a full-fledged flower

c. Drowned in stream

d. None of above

34. A maiden girl dreams:

a. To grow up and to be married to a good groom.

b. To be a flower

c. To be a rainbow

d. None of the above

 

35. Fields of sunlit corn means:

a. Fields of sun

b. Fields near sun

c. Sun-bathed corn field

d. Fields that produce corn named sun

 

36. On bridal morn, bride wears bangle of:

a. Red colour

b. Golden colour. / (Field of sun-lit corn)

c. Green colour

d. Purple colour

37. The bangle like ‘Fields of sunlit corn” is suitable for:

a. Maiden

b. Woman passed her middle of life journey

c. Bride.

d. Old lady

 

38. ‘Fields of sunlit corn’ refers to the bangle of:

a. Red colour

b. Golden colour.

c. Green colour

d. Purple colour

 

39. The bangle colour suitable during bride’s marriage is:

a. Red colour.

b. Golden colour

c. Green colour

d. Purple colour

40. ‘Bridal laughter and bridal tear’ refers to :

a. Emotional feelings of bride

b. Pain of woman

c. Glory of childhood

d. None of above

 

41. “Tinkling, luminous, tender and clear”—Which adjective is used to create auditory image:          a. Tinkling

b. Tender

c. Luminous

d. Clear

 

42. Bridal tear has been compared to:

a. Tinkling bangle

b. Clear/ Transparent bangle

c. Luminous bangle

d. Red bangle

43. ‘Bridal tear’ indicates the:

a. Joy of marriage

b. Joy of leaving parental house

c. Pain for leaving parental house.

d. Pain for journey

 

44. ‘Bridal laughter’ indicates the:

a. Joy of marriage/ happy to start a new life.

b. Joy of leaving parental house

c. Joy of Journey

d. Joy of new gifts

 

45. The Tinkling sound of bangles has been compared to :

a. Cry of bride

b. Laughter of bride.

c. Smile of bride

d. Marriage song

46. Which coloured bangles are suitable for middle aged woman?:

a. Red colour

b. Purple

c. Gold flecked grey

d. both b & c.

 

47. Purple coloured bangles are suitable for:

a. Maiden girl

b. Would be wife

c. Married girl

d. Middle aged woman.

 

48. Purple colour signifies:

a. Childhood and spryness

b. Over-confidence

c. Maturity and Self-confidence.

d. None of the above

49. Gold flecked grey coloured bangles are suitable for:

a. Maiden girl

b. Would be wife

c. Married girl

d. Middle-aged woman.

 

50. Middle aged woman has cradled / brought up her children on her:

a. Faithful breast

b. Lap

c. Unfaithful breast

d. Shoulder

 

51. ___________ has served her household.

a. Maiden girl

b. Bride

c. Middle-aged woman

d. None

52. A middle-aged woman serves her household in:

a. Frustration

b. Weakness

c. Fruitful pride

d. Unwilling way

 

53. “Whose hand have cherished, whose love has blest”—The person referred to:

a. Maiden girl

b. Would be wife

c. Bride

d. Middle-aged woman.

 

54. A woman performs all the household rituals sitting by the side of:

a. Father

b. Husband

c. Daughter

d. Neighbour

55. The number of stages of woman life have been described in this poem:

a. 1

b. 2

c. 3

d. 4

 

56. The stages of woman life have been described in this poem are:

a. Maiden life

b. Bride

c. Middle-aged / Matron

d. All above

 

57. The total number of stanzas in this poem is:

a. 1

b. 2

c. 3

d. 4

58. Each stanza of this poem contains:

a. 5 lines

b. 6 lines

c. 3 lines

d. 8 lines

 

59. The rhyme scheme of each stanza is:

a. aaabbb

b. ababab

c. aabbaa

d. aabbcc.

 

60. Total number of lines in this poem is:

a. 15

b. 22

c. 24

d. 25

61. The poem explores :

a. The stages of woman life. / Celebration of Indian womanhood.

b. Life of bangle sellers

c. Life of Maiden

d. Life of Fathers

 

62. The tone of this poem is:

a. Dull

b. Painful

c. Joyous.

d. Melancholic

 

63. The flow of time in woman’s life is linked with:

a. Life of bangle sellers

b. The change of colour of their bangles.

c. The change of their cloth’s colour

d. Their happiness



FOR THE ANSWERS OF THE ABOVE MCQS, KINDLY CLICK ON THE BELOW LINK FOR VIDEO AND ANSWERS.