
Output of the Project:
Time : A cold winter night
Place : In a running bus
Dramatization of the story
The Lost Child
by
Mulk Raj Anand
CHARACTERS
Output of the Project:
Time : A
spring morning.
Place : A
village fair ground
(It
is the festival of spring. From the wintry shades of narrow lanes and alleys
emerges a gaily clad humanity. Some walk, some ride on horses, others sit,
being carried in bamboo and bullock carts. Suddenly a little boy runs between
his father’s legs, brimming over with life and laughter.)
Parents: Come, child, come otherwise you will be lagged behind.
Don’t look at the toys in the shops.
(The child hurries towards his
parents, his feet are obedient to their call, his eyes still lingering on the
receding toys. As he comes to where they has stopped to wait for him, he cannot
suppress the desire of his heart, even though he well knows the old, cold stare
of refusal in their eyes.)
The Child: (With
keen plead) I want that toy, Father. (His father looks at him red-eyed, in his
familiar tyrant’s way. His mother, melted by the free spirit of the day is
tender and, gives him her finger to hold)
Mother: (Cajoling
him) Look, child, what is before you! Look at the beautiful flowering
mustard-field, pale like melting gold as it swept across miles and miles of
even land. Look, A group of dragon-flies were bustling about on their gaudy
purple wings, intercepting the flight of a lone black bee or butterfly in
search of sweetness from the flowers.
(The child becomes sad and begins
to follow them in the air with his gaze, till one of insects will still its
wings and rest, and he tries to catch it. But it goes fluttering, flapping, up
into the air, when he has almost caught it in his hands.)
Mother: (With
caution tone) Child, come, come on to the footpath.
(He runs towards his parents gaily
and walks abreast of them for a while, being, however, soon left behind,
attracted by the little insects and worms along the footpath that are teeming
out from their hiding places to enjoy the sunshine.)
Parents: (loudly send
a call to their son from the shade of a grove) “Come, child, come!” (He runs
towards them. A shower of young flowers falls upon the child as he enters the
grove, and, forgetting his parents, he begins to gather the raining petals in
his hands. Sweet cooing of doves is heard in the background. The child runs
towards his parents.)
The Child: (Shouting)
“The dove! The dove!
Parents: (In warning
tone) Come, child, come! (But the child is running in wild capers round the
banyan tree, and gathering him up they took the narrow, winding footpath which
leads to the fair through the mustard fields. As they near the village the
child can see many other footpaths full of throngs, converging to the whirlpool
of the fair, and feels at once repelled and fascinated by the confusion of the
world he is entering.)
(A sweetmeat seller enters hawking)
Sweetmeat
seller: (In professional tone) Gulab-jaman, rasagulla, burfi, jalebi,” (Immediately
crowd presses round his counter at the foot of an architecture of many coloured
sweets, decorated with leaves of silver and gold. The child stares open-eyed
and his mouth waters for the burfi that is his favourite sweet.)
The Child: (With a plead, in murmur tone) I want that burfi. (No answer comes.
Without waiting for an answer, he moves on.)
(A flower-seller enters hawking)
Flower-Seller: A
garland of gulmohur, a garland of gulmohur!
The Child: (Going to the seller) I want that garland. (No answer comes from
his parents. Without waiting for an answer, he moves on.)
(A balloon seller enters holding a
pole with yellow, red, green and purple balloons flying from it. The child is
simply carried away by the rainbow glory of their silken colours and he is
filled with an overwhelming desire to possess them all. But he well knows his
parents will never buy him the balloons because they will say he is too old to
play with such toys. So, he walks on farther.)
(A snake-charmer is seen stood
playing a flute to a snake which coils itself in a basket, its head raises in a
graceful bend like the neck of a swan, while the music steals into its
invisible ears like the gentle rippling of an invisible waterfall. The child goes
towards the snake-charmer. But, knowing his parents has forbidden him to hear
such coarse music as the snake- charmer played, he proceeds farther. There is a
roundabout in full swing. Men, women and children, carry away in a whirling
motion, shriek and cry with dizzy laughter. The child watches them intently.)
The Child: (With a bold request) I want to go on the roundabout, please,
Father, Mother. (Again, there is no reply. He turns to look at his parents.
They are not there, ahead of him. He turns to look on either side. They are not
there. He looks behind. There is no sign of them. A full, deep cry rose within
his dry throat and with a sudden jerk of his body he runs from where he is
standing)
The Child: (Crying in real fear) Mother, Father! (Tears rolldown from his
eyes, hot and fierce; his flushed face is convulsed with fear. Panic- stricken,
he runs to one side first, then to the other, hither and thither in all
directions, knowing not where to go.) “Mother, Father (loudly wailing. His
yellow turban comes untied and his clothes become muddy. Crying. He tries to
look intently among the patches of bright yellow clothes, but there is no sign
of his father and mother among these people, who seem to laugh and talk just
for the sake of laughing and talking. He runs quickly again, this time to a
shrine to which people seem to be crowding. Every little
inch of space here is congested
with men, but he runs through people’s legs.)
The Child: (Sobs near the entrance to the temple) Mother, Father! (The poor
child struggles to thrust a way between their feet but, knocks to and fro by
their brutal movements. He shouts in very high-pitched voice) Father, Mother!
(A man in the surging crowd, enters,
hears his cry and, stooping with great difficulty, lifted him up in his arms.)
A man: How
did you get here, child? Whose baby, are you?”
The Child: (Weeping
bitterly) I want my mother; I want my father!
A man: (trying
to soothe him and taking him to the roundabout) Will you have a ride on the horse?
The Child: (Sobs
and shouts) I want my mother; I want my father!
(Then They headed towards the
place where the snake- charmer still playing on the flute to the swaying cobra.)
The man: (Showing
him the snake-charmer and in requesting tone) Listen to that nice music, child!
The Child: (The
child shuts his ears with his fingers and shouts his double-pitched strain) I
want my mother; I want my father!
(The man takes him near the
balloons,
The man: (Trying
to cajole him) Would you like a rainbow-coloured balloon?
The Child: (Wailing)
I want my mother; I want my father!”
(The man, still trying to make the
child happy, bears him to the gate where the flower-seller sat.)
The man: (Indicating
the flowers) Look! Can you smell those nice flowers, child! Would you like a
garland to put round your neck?
The Child: (Refusing
his request, begins to wail again) I want my mother, I want my father!”
(The man, to humour his
disconsolate charge by a gift of sweets, took him to the counter of the sweet
shop.)
The man: What
sweets would you like, child?
The Child: (Sobbing)
I want my mother; I want my father!
********* Curtain falls **********
AUTOBIOGRAPHY OF A RIVER
AUTOBIOGRAPHY OF A ORPHAN
AUTOBIOGRAPHY OF A HOUSE
I'm referred to as crawford. I recollect after I got here to
being, while my basis changed into set, and the missus first stepped on my base
forums. There has been pleasure in her heart, and that joy filled me. Each
brick laid, every piece of wood held her excitement and anticipation. Even
though the master was technically the only that made me, I used to be created
handiest with the missus in mind. I was supposed to be her dream home, the
place in which she might enhance their circle of relatives, and live out their
days. Even the belongings that it was set on became ideal. There was a lake a
long way in the back of me, and a grove to my eastern fields. Grass grew
everywhere, and wildflowers sprung up without provocation. I don't forget the
manner the little pass over shrieked with happiness, even earlier than I was
absolutely up and livable. Even now, I can't quite inform you what number of
days it took, however I knew that with every one, I used to be getting toward
having my family interior me.
When I used to be ultimately whole, and all my furnishings
turned into in vicinity, I stood up instantly, tall, and proud. I used to be
ultimately to be the entirety I used to be destined to. Missus cried as she looked
around, and little omit ran thru my hallways, although her nanny told her not
to. I attempted to do my pleasant to look robust while the grasp got here in.
As he walked up my stairs, I made positive now not to creak; as he touched my
timber walls, I radiated warm temperature. I wanted to make certain he knew
that I would guard his circle of relatives and preserve them safe.
The whole lot become stunning interior me. The toddler could
run round, sneak down into the depths of my cellars and lay at the bloodless
dark earth. I stored her secrets and techniques, and stored her fiery younger
skin cool. The grasp and missus, once they had been together in the residence,
spent many a moment in every others include. I attempted my quality not to
chortle as they made love in all of my unique rooms. I also did my nice to
maintain my flooring regular every time the missus was pregnant, and make my as
clean on her feet as possible. She had many kids, stunning children that
stuffed me with laughter and more joy. I cherished sharing their growth,
feeling their first pattering steps across my flooring, feeling them eat in my
kitchen, warm themselves at my fireplace, play with their pets. They grew
interior me, and usually known as me domestic.
Until the missus started out to trade; as the kids grew up,
the missus grew sad. I did my great to maintain her happy. Her feet by no means
walked on bloodless flooring except it changed into warm outdoor and her toes
needed it, whilst she cried, I absorbed her tears. Every now and then she would
not pass, and that I notion it became she that turned into the inanimate
object, and that I the sentinent being. The grasp didn't recognize how sad she
was, but I did. I in no way concept she become sad sufficient to cling herself
in my drawing room. There has been nothing I ought to do but experience her
life force give up, her sadness leaving and absorbing into me. The kids and the
grasp felt the imprint of her pain the moment they walked in. The servant lady
prayed softly to herself while she entered, after which almost surpassed out
when she determined the missus.
I by no means recovered from the missus' sadness, and
neither did her daughters. They slit
their wrists in my bathtubs. Once more I used to be loaded with sadness. It
become then that I started out to creak, and my cellar commenced to grow mold.
I failed to imply to mourn, however I did, as did the own family; they didn't
want to be inner me, now even as I cried, or my paint flaked. Master were given
his principal possessions, his garments, and photographs of the missus. I never
noticed him again.
I don't know how time exceeded without the family interior
me. The subsequent time I noticed my children, they had been scowling adults
that added their very own babies. I did my first-rate to straighten up, now not
to creak, but I didn't have that a lot manage. No one had cared for me in
goodbye that I could not assist positive things. However the younger ones
observed me amusing, they slid down my banisters, and for a few minutes, stuffed
me with laughter once more. Even the kids… now master's and missus' in their
own appreciate, smiled in my rooms, sat close to my fireplaces, went into my
kitchens. The laughed, speaking to their spouses about the best times, until
they walked beyond my parlor, and felt the heaviness of dying; their smiles
stopped, they refused to enter, they called their youngsters back and left once
more with out a word. I failed to mean to have such darkish reminiscences, I failed
to need them to experience that heaviness I attempted my high-quality to cover
away, however they're pain introduced it back out. They ushered their
youngsters lower back out, despite the fact that I did not want them to.
The subsequent time I noticed the ones youngsters, they were
adults, and they had been looking at me like I used to be only a commodity.
They desired to sell me, however they did not realize absolutely everyone who
would want me. I used to be antique, and in shambles. The sad mildew smell that
became once in most effective my basement had snuck into the furnishings, and
garments. My windows were left closed. The adults failed to want me, none of
them wanted me be inside me. They are saying I smelled, and that I blushed,
they say I used to be haunted, and I wasn't sure in the event that they had
been proper. Sometimes I'd sense the missus and the daughters in my rooms, but
they weren't the same as when they lived. They have been unhappy, and trapped
internal me; the little ones searched for the missus, however they in no way
found every other, which made me even sadder. I didn't recognise how a whole
lot time had passed, or how usually I cried. My wood warped, mould changed into
in my corners, but no living creatures might pass interior me, no longer even
insects.
People tried to enter me, move interior me, however I refused
to let them. I used to be rude to them. I might supply them nightmares, and the
missus could by no means allow them to stay, she might repeat her very last
moments, or sit and stare. I absorbed each second of disappointment simply as I
had the moments of pleasure, however, as a long way as I should bear in mind,
there had best been disappointment. Time had stopped for me the moment that the
own family left me to rot.
I was resigned to my life, to be left by myself until I sooner
or later rotted away to nothingness, till she sooner or later got here in. Once
I noticed her, I should tell that she turned into of the grasp and missus. She
looked at me with a softness, and smiled as she touched my partitions, just as
my missus had while she had seen me. She walked via the rooms, bringing
together with her a light I hadn't felt in… I do not know how long. I tried my
fine to stand instantly, however I couldn't, and I attempted to hold my
flooring from creaking, however they still did. She regarded to sense the equal
sadness every person else had, but she took it, and saved going. She smiled at
a number of the left pix, and checked out the wall in which the children have
been measured. I concept all hope become lost whilst she came to the parlor,
and he or she saw the missus putting. But the younger female didn't depart; she
clasped some thing round her neck, and closed her eyes until the mistress
dissipated. When she opened them again, she walked into the room and shed some
tears. I thought she was going to add to the ache, however she did not. It
stayed the identical.
She stated something, rubbed one among my tables, and
informed me she changed into coming lower back. She cherished she cherished me.
I didn't want her to depart; I ought to feel her lifting the darkness inner me.
She said that she might return, come back to say me as her personal. I prayed
that she turned into telling me the fact.
I do not know how plenty time has handed due to the fact she
turned into with me, interior me. It is something that I may want to never
judge; she should have left best minutes in the past, or weeks ago. However as
opposed to allow myself to live defeated, I've rose to my full top. I can not
make the mould and mildew recede, but I'm able to force it now not to come back
any similarly. I consider this female, my new missus, will go back me to the
area of joy I used to be built to be.
AUTOBIOGRAPHY OF TAJ MAHAL
I am very
happy today as I am able to write an autobiography
on my own self. I always wanted to do that. First of all let me introduce
myself to you all. I am Taj Mahal, one of the greatest architectures of the world of all time. I
am widely recognized as "the jewel of Muslim art in India and one of the
universally admired masterpieces of the world's heritage". I am a white marble
mausoleum
located in Agra,
Uttar Pradesh, India.
I was built by Mughal
emperor Shah Jahan.
Behind my creation there was a history. On June 17, 1631 Shah Jahan’s
wife and beloved Mumtaz Mahal died after delivering her fourteenth child
Gauharar. Shah Jahan stood dazed, unable to comprehend the situation. She had
died leaving all her children, her mother, and relations to his care. But he
had promised her never to remarry and to build the grandest mausoleum over her
grave. Her body received a temporary burial in the Zainabadi Garden in Burhanpur
and within six months it was removed to Agra. Shahjahan had already acquired
from Raja Jai Singh a plot of land on the Yamuna riverside. There on the tomb
of dead Mumtaz, my foundation was built on a platform of 22′ high and 313′ square, was started in 1632
in a frenzy with thousands of artisans and labourers, toiling ceaselessly.
My
building process goes on with excessive labour and cost, prosecuted with
extraordinary diligence and took 22 years for my completion. Gold and silver
esteemed as common metal, and marble as ordinary stones. Shah Jahan had chosen the best specimen of designs
offered by the famous designers of the world. The materials to my construction
were collected from different parts of the world like turquoise from Tibet,
jade and crystal from China, chrysolite from Egypt, lapis from Afghanistan,
coral from Arabia, amethyst from Persia, quartz from the Himalayas, malachite
from Russia and diamonds from Hyderabad in India. The water that used in my
construction was drawn from the river by a series of purs, an animal-powered
rope and bucket mechanism. Over 1000 elephants were used to transport my
building materials. It took the labour of 22,000 workers to construct my
monument. A board of architects supervised the construction. Lahori is treated as my main designer.
About 50 million rupees were spent to build up me.
The legendary gold railing of my tomb was
subsequently replaced by an octagonal latticed screen (Mahajar-i-mushababbak)
of the most marvelous craftsmanship with an entrance fashioned of jasper after
the Turkish style, joined with gilded fasteners. It costs over 10,000 rupees
but it is the most splendid work of art, well worth its weight in gold. It
stands enclosing the two cenotaphs.
Tavernier
could be believed. His Majesty Firdaus Ashvani, (Shahjahan's posthumous title)
was buried beside the Empress, the only asymmetrical work at me.
Moving further down the history, it
was at the end of the 19th century that British Viceroy Lord Curzon ordered a
sweeping restoration project, which was completed in 1908, as a measure to
restore what was lost during the Indian rebellion of 1857: I being blemished by
British soldiers and government officials who also deprived the monument of my
immaculate beauty by chiseling out precious stones and lapis lazuli from my
walls. Also, the British style lawns that people see today adding on to my
beauty is remodeled around the same time. Despite prevailing controversies,
past and present threats from Indo-Pak war and environmental pollution, this
epitome of love continuous to shine and attract people from all over the world.
Now more than three centuries have passed
and I am seen by millions of visitors every year continues to retain a romantic
aura about me. Some women like Mrs. Sleeman would exclaim "I would die
tomorrow to have such another rover me". I am still "the grand
passion of an Emperor's love," as Edwin Arnold wrote, or as Tagore said of
me "one solitary tear… on the Cheek of time." The subtle play of
light on the white marble dome creates my own moods to which even the hardest
cynic ultimately succumbs. Millions and millions of photographs taken but they
fail to capture the quintessence of my inner secret heart.History of immortal love of Shah Jahan and Mumtaz
Mahal is the integral part of my history. Even today, I symbolize the true love
in this ungrateful, corrupted world.
The End